SECTION I: GENERAL INFORMATION ABOUT THE COURSE |
| Course Code | Course Name | Year | Semester | Theoretical | Practical | Credit | ECTS |
| RTS6104 | Sinema Tarihi II | 0 | Spring |
3 | 0 | 3 | 6 |
| Course Type : | University Elective |
| Cycle: | Bachelor TQF-HE:6. Master`s Degree QF-EHEA:First Cycle EQF-LLL:6. Master`s Degree |
| Language of Instruction: | |
| Prerequisities and Co-requisities: | N/A |
| Mode of Delivery: | Face to face |
| Name of Coordinator: | Dr. Öğr. Üyesi ZEYNEP FERİHA EREN KUNT |
| Dersin Öğretim Eleman(lar)ı: |
Dr. Öğr. Üyesi ZEYNEP FERİHA EREN KUNT |
| Dersin Kategorisi: |
SECTION II: INTRODUCTION TO THE COURSE |
| Course Objectives: | The aim of this course is to provide the background for evaluating film history and assessing cinema in terms of socio-cultural and political conditions of the day, in a time span from World War II to the end of the 20th century. |
| Course Content: | The second semester of Film History course covers different filmmaking practices from different parts of the world, during the Post-World War II period as well as the prominent movements and phenomena of the world cinema such as Italian Neorealism, French New Wave, New German cinema, Cinema Novo, auteur cinema etc. |
| Knowledge (Described as Theoritical and/or Factual Knowledge.) | ||
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1) Evaluates leading films and directors in film history |
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2) Defines the prominent film movements in history. |
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3) Defines many of the basic concepts in cinema. |
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4) Explains the knowledge of historical, socioeconomical, and political facts that influenced cinema. |
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| Skills (Describe as Cognitive and/or Practical Skills.) | ||
| Competences (Described as "Ability of the learner to apply knowledge and skills autonomously with responsibility", "Learning to learn"," Communication and social" and "Field specific" competences.) | ||
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1) Analyzes the technological innovations in film history in relation to film narrative. |
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| Week | Subject | ||
| Related Preparation | Further Study | ||
| 1) | American Cinema: 1945-1960 | ||
| 2) | American Cinema: 1945-1960 | ||
| 3) | European Cinema: 1945-1960 | ||
| 4) | Italian Neorealism | ||
| 5) | Non-western Cinemas in the Post-war Period | ||
| 6) | Auteur Cinema | ||
| 7) | Midterm Exam | ||
| 8) | French New Wave and Nonfiction film | ||
| 9) | New Cinemas | ||
| 10) | American Cinema in the Post-1960 Period and New Hollywood | ||
| 11) | Cinema of Western Europe in the Post-1960 Period | ||
| 12) | Soviet and Eastern European Cinema in the Post-1960 Period | ||
| 13) | Other Cinemas in the Post-1960 Period | ||
| 14) | Experimental and Non-fiction film | ||
| 15) | |||
| Course Notes / Textbooks: | Dünya Sinemasında Akımlar. İstanbul: Doruk Yayınevi, 2016. Derleyenler: Deniz Derman, Serhat Günaydın, Ahmet İnam ve Oğuz Onaran. James Monaco. Bir Film Nasıl Okunur? İstanbul: Oğlak Yayıncılık, 2001 Paul Rotha. Sinemanın Öyküsü. İstanbul: İzdüşüm yayınları |
| References: | Cook, David A. 2016. A History of Narrative Film. 5th Edition. New York: W.W. Norton. Nowell-Smith, Geoffrey (ed.). 2008. Dünya Sinema Tarihi. Çev. Ahmet Fethi. 2. Baskı. İstanbul: Kabalcı. Sklar, Robert. 2001. Film: An International History of the Medium. 2nd Edition. Thames and Hudson. New Jersey: Prentice Hall. Thompson, Kristin & David Bordwell. 2009. Film History: An Introduction. 3rd Edition. New York: McGraw-Hill. |
DERS ÖĞRENME ÇIKTILARI - PROGRAM ÖĞRENME ÇIKTILARI İLİŞKİSİ |
| Ders Öğrenme Çıktıları (DÖÇ) | 1 |
2 |
3 |
5 |
6 |
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|---|---|---|---|---|---|---|---|---|---|---|---|
| Program Öğrenme Çıktıları (PÖÇ) | |||||||||||
| 1) Explain the fundamental concepts, historical development, and theoretical framework of graphic design. | |||||||||||
| 2) Define typography, color theory, and composition principles in visual communication design. | |||||||||||
| 3) Evaluate the social, cultural, and ethical aspects of graphic design to develop an interdisciplinary perspective. | |||||||||||
| 4) Develop original and innovative design solutions using creative problem-solving methods. | |||||||||||
| 5) Apply visual hierarchy, perception psychology, and user experience (UX) principles to design for international markets. | |||||||||||
| 6) Effectively use digital tools and design software to produce professional graphic design work. | |||||||||||
| 7) Take responsibility in international graphic design projects individually or within a team to develop creative solutions. | |||||||||||
| 8) Manage graphic design projects and plan processes while applying a professional work discipline. | |||||||||||
| 9) Continuously improve by following global innovations, technologies, and methodologies in graphic design. | |||||||||||
| 10) Adopt intercultural design principles to create visual solutions for global audiences. | |||||||||||
| 11) Develop design solutions that are culturally sensitive, ethically appropriate, and sustainable. | |||||||||||
| 12) Work independently or participate in teamwork within graphic design processes. | |||||||||||
SECTION III: RELATIONSHIP BETWEEN COURSE UNIT AND COURSE LEARNING OUTCOMES (CLOs) |
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Programme Learning Outcomes | Contribution Level (from 1 to 5) | |
| 1) | Explain the fundamental concepts, historical development, and theoretical framework of graphic design. | |
| 2) | Define typography, color theory, and composition principles in visual communication design. | |
| 3) | Evaluate the social, cultural, and ethical aspects of graphic design to develop an interdisciplinary perspective. | |
| 4) | Develop original and innovative design solutions using creative problem-solving methods. | |
| 5) | Apply visual hierarchy, perception psychology, and user experience (UX) principles to design for international markets. | |
| 6) | Effectively use digital tools and design software to produce professional graphic design work. | |
| 7) | Take responsibility in international graphic design projects individually or within a team to develop creative solutions. | |
| 8) | Manage graphic design projects and plan processes while applying a professional work discipline. | |
| 9) | Continuously improve by following global innovations, technologies, and methodologies in graphic design. | |
| 10) | Adopt intercultural design principles to create visual solutions for global audiences. | |
| 11) | Develop design solutions that are culturally sensitive, ethically appropriate, and sustainable. | 4 |
| 12) | Work independently or participate in teamwork within graphic design processes. |
SECTION IV: TEACHING-LEARNING & ASSESMENT-EVALUATION METHODS OF THE COURSE |
| Lectures | |
| Discussion | |
| Views | |
| Reading | |
| Homework | |
| Questions Answers |
| Midterm | |
| Final Exam | |
| Quiz | |
| Homework Evaluation |
| Measurement and Evaluation Methods | # of practice per semester | Level of Contribution |
| Homework Assignments | 1 | % 15.00 |
| Midterms | 1 | % 35.00 |
| Semester Final Exam | 1 | % 50.00 |
| Total | % 100 | |
| PERCENTAGE OF SEMESTER WORK | % 50 | |
| PERCENTAGE OF FINAL WORK | % 50 | |
| Total | % 100 | |
SECTION V: WORKLOAD & ECTS CREDITS ALLOCATED FOR THE COURSE |
| WORKLOAD OF TEACHING & LEARNING ACTIVITIES | |||
| Teaching & Learning Activities | # of Activities per semester | Duration (hour) | Total Workload |
| Course | 14 | 3 | 42 |
| Laboratory | 0 | 0 | 0 |
| Application | 0 | 0 | 0 |
| Special Course Internship (Work Placement) | 0 | 0 | 0 |
| Field Work | 0 | 0 | 0 |
| Study Hours Out of Class | 14 | 2 | 28 |
| Presentations / Seminar | 0 | 0 | 0 |
| Project | 0 | 0 | 0 |
| Homework Assignments | 1 | 8 | 8 |
| Total Workload of Teaching & Learning Activities | - | - | 78 |
| WORKLOAD OF ASSESMENT & EVALUATION ACTIVITIES | |||
| Assesment & Evaluation Activities | # of Activities per semester | Duration (hour) | Total Workload |
| Quizzes | 1 | 2 | 2 |
| Midterms | 1 | 12 | 12 |
| Semester Final Exam | 1 | 20 | 20 |
| Total Workload of Assesment & Evaluation Activities | - | - | 34 |
| TOTAL WORKLOAD (Teaching & Learning + Assesment & Evaluation Activities) | 112 | ||
| ECTS CREDITS OF THE COURSE (Total Workload/25.5 h) | 6 | ||