SECTION I: GENERAL INFORMATION ABOUT THE COURSE |
| Course Code | Course Name | Year | Semester | Theoretical | Practical | Credit | ECTS |
| FTB6402 | Photography and Documentation | 0 | Fall |
3 | 0 | 3 | 6 |
| Course Type : | University Elective |
| Cycle: | Bachelor TQF-HE:6. Master`s Degree QF-EHEA:First Cycle EQF-LLL:6. Master`s Degree |
| Language of Instruction: | Turkish |
| Prerequisities and Co-requisities: | N/A |
| Mode of Delivery: | |
| Name of Coordinator: | Instructor NİLGÜN ÇİFTETEPE |
| Dersin Öğretim Eleman(lar)ı: |
Instructor NİLGÜN ÇİFTETEPE |
| Dersin Kategorisi: |
SECTION II: INTRODUCTION TO THE COURSE |
| Course Objectives: | The aim of this course is to enable students to use photography as a tool for documentation, and to provide them with knowledge and skills in basic photography techniques, composition rules, and the use of light. It also aims to enhance students' visual storytelling abilities, encourage awareness of ethical principles in documentation, and help them understand the role of photography in the documentation process across various disciplines. |
| Course Content: | This course focuses on the use of photography as a tool for documentation, emphasizing technical topics such as basic photography equipment, light, angle, framing, and composition. While exploring different types of documentary photography, students are expected to produce photographs with documentary value through their own shooting practices. Additionally, topics such as ethics in photography and visual storytelling are also covered within the scope of the course. |
| Knowledge (Described as Theoritical and/or Factual Knowledge.) | ||
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1) Can explain the history of photography and the development of documentary photography. |
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2) Can describe basic photography equipment and shooting elements such as light, framing, angle and composition. |
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| Skills (Describe as Cognitive and/or Practical Skills.) | ||
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1) Can produce photographic works of documentary value in line with a specific subject or theme. |
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2) Can apply various lighting, angle, and composition techniques in accordance with the narrative language and visual structure of documentary photography |
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| Competences (Described as "Ability of the learner to apply knowledge and skills autonomously with responsibility", "Learning to learn"," Communication and social" and "Field specific" competences.) | ||
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1) Can independently plan and execute their own photography project. |
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2) They can evaluate visual narration within a social or cultural context and act in accordance with ethical rules and the responsibility of visual representation in photographic documentation. |
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| Week | Subject | ||
| Related Preparation | Further Study | ||
| 1) | Meeting with students, introduction to photography, and information about the course process. | ||
| 2) | The birth of photography and its historical development. | ||
| 3) | Cameras, accessories, and basic usage. Filters and complementary equipment. Fundamental principles of digital photography. | ||
| 4) | The operating principles and functional features of the aperture, shutter mechanism, and ISO. | ||
| 5) | Types of lenses and their functional features. | ||
| 6) | Types of light, the effect of light on photography, use of natural and artificial light. | ||
| 7) | Main photography shooting techniques. | ||
| 8) | Midterm Exam | ||
| 9) | Basic visual elements of photography, composition rules, and practical examples. - I | ||
| 10) | Basic visual elements of photography, composition rules, and practical examples. - II | ||
| 11) | Basic visual elements of photography, composition rules, and practical examples - III | ||
| 12) | The purposes, types, and storytelling techniques of documentary photography. | ||
| 13) | Documentary Photography Analysis. Examination and interpretation of sample photographs. | ||
| 14) | Ethical rules in photography, responsibility of visual representation. | ||
| Course Notes / Textbooks: | Temel Kitap: BUÇAN, Nadir, Post Belgesel Fotoğraf: Belgesel Fotoğrafın Değişen Sınırları, Espas Yayınları. |
| References: | Yardımcı Kaynaklar: AYDEMİR, Caner, Fotoğraf Neyi Anlatır, Hayalperest Kitap. BARRETT, Terry, Fotoğrafı Eleştirmek, Hayalperest Kitap. BARTHES, Roland. Camera Lucida, Altıkırkbeş Yayınları. BATE, David, Fotoğraf: Anahtar Kavramlar, Espas Yayınları. BERGER, John, Görme Biçimleri, Metis Yayınları. CLARKE, Graham, Güzel Sanatların Bir Dalı Olarak Fotoğraf, Hayalperest Yayınları. FREEMAN, Michael, Fotoğrafçını Gözü, Remzi Kitabevi. FREEMAN, Michael, Dijital Fotoğrafa Dair 101 Temel İpucu, Say Yayınları HACKING, Juliet. Fotoğrafın Tüm Öyküsü, Hayalperest Kitap. KALFAGİL, Sabit. Fotoğrafın Yapısal Öğeleri ve Fotoğraf Sanatında Kompozisyon, İlke Kitap. SONTAG, Susan. Başkalarının Acısına Bakmak, Agora Kitaplığı. SONTAG, Susan. Fotoğraf Üzerine, Altıkırkbeş Yayınları. YAVUZ, Ozan. Antropoloji ve Fotoğraf: Yöntem ve Temsil Üzerine, Espas Yayınları. Film: The Salt of The Earth – Wim Wenders |
DERS ÖĞRENME ÇIKTILARI - PROGRAM ÖĞRENME ÇIKTILARI İLİŞKİSİ |
| Ders Öğrenme Çıktıları (DÖÇ) | 1 |
2 |
4 |
5 |
7 |
9 |
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|---|---|---|---|---|---|---|---|---|---|---|---|
| Program Öğrenme Çıktıları (PÖÇ) | |||||||||||
| 1) Explain the fundamental concepts, historical development, and theoretical framework of graphic design. | |||||||||||
| 2) Define typography, color theory, and composition principles in visual communication design. | |||||||||||
| 3) Evaluate the social, cultural, and ethical aspects of graphic design to develop an interdisciplinary perspective. | |||||||||||
| 4) Develop original and innovative design solutions using creative problem-solving methods. | |||||||||||
| 5) Apply visual hierarchy, perception psychology, and user experience (UX) principles to design for international markets. | |||||||||||
| 6) Effectively use digital tools and design software to produce professional graphic design work. | |||||||||||
| 7) Take responsibility in international graphic design projects individually or within a team to develop creative solutions. | |||||||||||
| 8) Manage graphic design projects and plan processes while applying a professional work discipline. | |||||||||||
| 9) Continuously improve by following global innovations, technologies, and methodologies in graphic design. | |||||||||||
| 10) Adopt intercultural design principles to create visual solutions for global audiences. | |||||||||||
| 11) Develop design solutions that are culturally sensitive, ethically appropriate, and sustainable. | |||||||||||
| 12) Work independently or participate in teamwork within graphic design processes. | |||||||||||
SECTION III: RELATIONSHIP BETWEEN COURSE UNIT AND COURSE LEARNING OUTCOMES (CLOs) |
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Programme Learning Outcomes | Contribution Level (from 1 to 5) | |
| 1) | Explain the fundamental concepts, historical development, and theoretical framework of graphic design. | |
| 2) | Define typography, color theory, and composition principles in visual communication design. | |
| 3) | Evaluate the social, cultural, and ethical aspects of graphic design to develop an interdisciplinary perspective. | |
| 4) | Develop original and innovative design solutions using creative problem-solving methods. | |
| 5) | Apply visual hierarchy, perception psychology, and user experience (UX) principles to design for international markets. | |
| 6) | Effectively use digital tools and design software to produce professional graphic design work. | |
| 7) | Take responsibility in international graphic design projects individually or within a team to develop creative solutions. | |
| 8) | Manage graphic design projects and plan processes while applying a professional work discipline. | |
| 9) | Continuously improve by following global innovations, technologies, and methodologies in graphic design. | |
| 10) | Adopt intercultural design principles to create visual solutions for global audiences. | |
| 11) | Develop design solutions that are culturally sensitive, ethically appropriate, and sustainable. | |
| 12) | Work independently or participate in teamwork within graphic design processes. |
SECTION IV: TEACHING-LEARNING & ASSESMENT-EVALUATION METHODS OF THE COURSE |
| Lectures | |
| Demonstration | |
| Views | |
| Reading | |
| Homework | |
| Project Preparation | |
| Active Participation in Class |
| Midterm | |
| Final Exam | |
| Quiz | |
| Homework Evaluation |
| Measurement and Evaluation Methods | # of practice per semester | Level of Contribution |
| Quizzes | 2 | % 10.00 |
| Homework Assignments | 1 | % 5.00 |
| Midterms | 1 | % 35.00 |
| Semester Final Exam | 1 | % 50.00 |
| Total | % 100 | |
| PERCENTAGE OF SEMESTER WORK | % 50 | |
| PERCENTAGE OF FINAL WORK | % 50 | |
| Total | % 100 | |
SECTION V: WORKLOAD & ECTS CREDITS ALLOCATED FOR THE COURSE |
| WORKLOAD OF TEACHING & LEARNING ACTIVITIES | |||
| Teaching & Learning Activities | # of Activities per semester | Duration (hour) | Total Workload |
| Course | 14 | 3 | 42 |
| Laboratory | 0 | 0 | 0 |
| Application | 0 | 0 | 0 |
| Special Course Internship (Work Placement) | 0 | 0 | 0 |
| Field Work | 0 | 0 | 0 |
| Study Hours Out of Class | 14 | 1 | 14 |
| Presentations / Seminar | 0 | 0 | 0 |
| Project | 0 | 0 | 0 |
| Homework Assignments | 1 | 15 | 15 |
| Total Workload of Teaching & Learning Activities | - | - | 71 |
| WORKLOAD OF ASSESMENT & EVALUATION ACTIVITIES | |||
| Assesment & Evaluation Activities | # of Activities per semester | Duration (hour) | Total Workload |
| Quizzes | 2 | 15 | 30 |
| Midterms | 1 | 25 | 25 |
| Semester Final Exam | 1 | 35 | 35 |
| Total Workload of Assesment & Evaluation Activities | - | - | 90 |
| TOTAL WORKLOAD (Teaching & Learning + Assesment & Evaluation Activities) | 161 | ||
| ECTS CREDITS OF THE COURSE (Total Workload/25.5 h) | 6 | ||