| Course Objectives: |
The aim of this course is to enable students to understand visual perception processes, to analyze visual stimuli consciously, and to apply perceptual principles effectively in design and artistic production. |
| Course Content: |
This course covers the theoretical foundations of visual perception and the application of perceptual principles in design processes. It addresses the relationship between perception and vision, cognitive approaches to perception, and Gestalt theory. Form, color, texture, depth, space, and motion perception are examined. Visual hierarchy, figure–ground relationships, perspective, visual illusions, and perceptual errors are also evaluated. The course aims to develop students’ ability to analyze visual messages from a perceptual perspective and to create perception-based designs. |
Course Learning Outcomes (CLOs) are those describing the knowledge, skills and competencies that students are expected to achieve upon successful completion of the course. In this context, Course Learning Outcomes defined for this course unit are as follows:
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| Knowledge
(Described as Theoritical and/or Factual Knowledge.)
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1) Can explain the fundamental concepts, theories, and perceptual models of visual perception.
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2) Can recognize the fundamental components of visual perception, such as visual hierarchy, Gestalt principles, perspective, and perceptual illusions.
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| Skills
(Describe as Cognitive and/or Practical Skills.)
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1) Can analyze visual messages and identify and interpret the use of perceptual elements.
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2) Can apply perception-based design principles to create aesthetic functional and effective visual solutions.
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| Competences
(Described as "Ability of the learner to apply knowledge and skills autonomously with responsibility", "Learning to learn"," Communication and social" and "Field specific" competences.)
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1) Can analyze the principles of visual perception within an interdisciplinary framework and apply the relationships between visual imagery and communication using creative and critical thinking skills.
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| Week |
Subject |
Materials Sharing * |
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Related Preparation |
Further Study |
| 1) |
Course orientation and course content presentation. |
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| 2) |
Introduction to Visual Perception: What Is Perception? The Difference Between Vision and Perception. |
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| 3) |
History of Visual Perception. Empiricist and Nativist Approaches. |
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| 4) |
Introduction to Gestalt Theory: Fundamental Assumptions of Gestalt Psychology. Whole–Part Relationships. |
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| 5) |
Gestalt Principles and Design I: Proximity, similarity, continuity, closure. |
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| 6) |
Gestalt Principles and Design II: Figure–Ground Relationship. Principles of Common Fate, Connectedness, Synchrony, Symmetry and Order. |
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| 7) |
Cognitive Perception Theories: Selective Attention, Top-Down and Bottom-Up Processing |
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| 8) |
Midterm Exam |
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| 9) |
Light, Color, and Perception: Nature of Light, Color Theories (Young–Helmholtz, Opponent-Process), Color Blindness and Cultural Color Perception |
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| 10) |
Space and Depth Perception: Monocular and Binocular Cues, Linear Perspective, Texture Gradient, and Shading. |
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| 11) |
Motion and Time Perception: Real vs. Apparent Motion (Stroboscopic Motion, Phi Phenomenon). New Media Case Studies. |
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| 12) |
Perception in Digital Interfaces (UX/UI): Fitts’ Law, Hick’s Law, and Screen Reading Patterns in User Experience |
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| 13) |
Visual Semantics and Semiotics: Concepts of Icon, Index, and Symbol. Interpretation of Visual Images Through Cultural Codes |
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| 14) |
Visual Perception and Design: Perception in Design and Visual Communication. Perceptual Manipulation. |
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| Course Notes / Textbooks: |
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| References: |
Yardımcı Kaynaklar
● Akdeniz, Halil. Renk Kuramları (2023): Evrimsel Süreçte Rengin Ortaya Çıkışı, Renk Görme ve Algılama Süreçleri. Boyut Yayın Grubu.
● Arnheim, Rudolf (2015). Görsel Düşünme. Metis Yayınları.
● Arnheim, Rudolf (2024). Sanat ve Görsel Algı:
Yaratıcı Gözün Psikolojisi. Albaraka Yayınları
● Berger, John (2016). Görme Biçimleri. İstanbul: Metis.
● Ertan, G. & Sansarcı, E (2016). Görsel Sanatlarda Anlam ve Algı. Alternatif Yayıncılık Limited.
● Goldstein, E. Bruce (2019). Duyum ve Algı. Nobel Akademik Yayıncılık
● Howells, Richard (2019). Visual Culture. Wiley.
● Howells, Richard (2012). Outrage. Art, Controversy, and Society.
● Mirzoeff, Nicholas (2016). How to See the World. Basic Books.
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Programme Learning Outcomes |
Contribution Level (from 1 to 5) |
| 1) |
Explain the fundamental concepts, historical development, and theoretical framework of graphic design. |
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| 2) |
Define typography, color theory, and composition principles in visual communication design. |
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| 3) |
Evaluate the social, cultural, and ethical aspects of graphic design to develop an interdisciplinary perspective. |
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| 4) |
Develop original and innovative design solutions using creative problem-solving methods. |
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| 5) |
Apply visual hierarchy, perception psychology, and user experience (UX) principles to design for international markets. |
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| 6) |
Effectively use digital tools and design software to produce professional graphic design work. |
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| 7) |
Take responsibility in international graphic design projects individually or within a team to develop creative solutions. |
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| 8) |
Manage graphic design projects and plan processes while applying a professional work discipline. |
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| 9) |
Continuously improve by following global innovations, technologies, and methodologies in graphic design. |
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| 10) |
Adopt intercultural design principles to create visual solutions for global audiences. |
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| 11) |
Develop design solutions that are culturally sensitive, ethically appropriate, and sustainable. |
4 |
| 12) |
Work independently or participate in teamwork within graphic design processes. |
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| WORKLOAD OF TEACHING & LEARNING ACTIVITIES |
| Teaching & Learning Activities |
# of Activities per semester |
Duration (hour) |
Total Workload |
| Course |
14 |
3 |
42 |
| Laboratory |
0 |
0 |
0 |
| Application |
0 |
0 |
0 |
| Special Course Internship (Work Placement) |
0 |
0 |
0 |
| Field Work |
0 |
0 |
0 |
| Study Hours Out of Class |
14 |
1 |
14 |
| Presentations / Seminar |
0 |
0 |
0 |
| Project |
0 |
0 |
0 |
| Homework Assignments |
1 |
25 |
25 |
| Total Workload of Teaching & Learning Activities |
- |
- |
81 |
| WORKLOAD OF ASSESMENT & EVALUATION ACTIVITIES |
| Assesment & Evaluation Activities |
# of Activities per semester |
Duration (hour) |
Total Workload |
| Quizzes |
0 |
0 |
0 |
| Midterms |
1 |
35 |
35 |
| Semester Final Exam |
1 |
45 |
45 |
| Total Workload of Assesment & Evaluation Activities |
- |
- |
80 |
| TOTAL WORKLOAD (Teaching & Learning + Assesment & Evaluation Activities) |
161 |
| ECTS CREDITS OF THE COURSE (Total Workload/25.5 h) |
6 |