| Course Objectives: |
The aim of this course is to examine the historical development of graphic design within the framework of artistic movements, technological changes, and social contexts; and to enable students to evaluate visual communication practices from a critical perspective and to reflect historical knowledge into their own design processes. |
| Course Content: |
This course examines the historical development of graphic design from the 19th century to the present. Major movements such as Arts & Crafts, Art Nouveau, Modernism (Bauhaus, De Stijl, Constructivism), the International Style, and Postmodernism are analyzed through typography, poster design, and visual communication practices. These approaches are evaluated not only in terms of their formal characteristics but also within their social, cultural, and technological contexts. |
Course Learning Outcomes (CLOs) are those describing the knowledge, skills and competencies that students are expected to achieve upon successful completion of the course. In this context, Course Learning Outcomes defined for this course unit are as follows:
|
|
|
|
| Knowledge
(Described as Theoritical and/or Factual Knowledge.)
|
1) Identify the historical development process and major movements of graphic design.
|
| Skills
(Describe as Cognitive and/or Practical Skills.)
|
1) Analyze the visual, cultural, and ideological characteristics of different design approaches.
|
2) Interpret design language through examples of typography, posters, and visual communication.
|
| Competences
(Described as "Ability of the learner to apply knowledge and skills autonomously with responsibility", "Learning to learn"," Communication and social" and "Field specific" competences.)
|
1) Integrate historical design approaches into their own design production processes.
|
2) Critically evaluate graphic design works within their historical and contextual frameworks.
|
3) Discuss the relationship between visual culture and design from a multidimensional perspective.
|
| Week |
Subject |
Materials Sharing * |
|
Related Preparation |
Further Study |
| 1) |
Introduction: Definition and scope of graphic design; Historical framework of graphic design, concept of visual communication |
Review introductory materials on graphic design and visual communication.
|
|
| 2) |
Arts & Crafts Movement; |
Read the relevant section on Arts & Crafts and review selected visual examples.
|
|
| 3) |
Art Nouveau; Organic forms, ornamentation, early poster design |
Read the relevant section on Art Nouveau and examine poster examples.
|
|
| 4) |
Emergence of Modernism; Industrialization, functionality, simplification |
Review materials on the emergence of modernism and functional design.
|
|
| 5) |
Cubism and graphic language; Fragmentation, collage, experimental typography |
Kübist çalışmaların ve grafik tasarıma etkilerinin incelenmesi.
|
|
| 6) |
Futurism; Movement, speed, experimental typography |
Review Futurist typography and visual experiments.
|
|
| 7) |
Dada; Anti-aesthetic, collage, visual disruption |
Analyze selected Dada artworks and collage practices.
|
|
| 8) |
Surrealism; The unconscious, metaphor, visual narrative |
Review Surrealist works and their use of visual metaphor.
|
|
| 9) |
Bauhaus; Functionality, grid systems, modern typography |
Read about Bauhaus principles and review key design examples.
|
|
| 10) |
De Stijl; Geometric order, primary colors, abstraction |
De Stijl çalışmalarının geometrik soyutlama bağlamında incelenmesi.
|
|
| 11) |
Constructivism; Propaganda, photomontage, political design |
Review Constructivist posters and photomontage techniques.
|
|
| 12) |
International Typographic Style (Swiss Style); Grid systems, clarity, modern visual language |
Examine Swiss Style examples focusing on grid systems and typography.
|
|
| 13) |
Postmodernism; Breaking conventions, experimental typography |
Review Postmodern design examples and experimental typography.
|
|
| 14) |
Contemporary graphic design; Digitalization, new media, critical perspectives |
Explore contemporary graphic design practices and digital examples.
|
|
| Course Notes / Textbooks: |
Çağdaş Grafik Tasarımın Gelişimi, Yapı Kredi Yayınları.
Meggs` History of Graphic Design, Wiley.
Graphic Design: A New History, Yale University Press.
Instructor’s lecture notes, presentations, and visual materials. Materyal
|
| References: |
Çağdaş Grafik Tasarımın Gelişimi. (1992). Çağdaş grafik tasarımın gelişimi. Yapı Kredi Yayınları.
Meggs` History of Graphic Design, P. B. (2016). Meggs’ history of graphic design (6th ed.). Wiley.
Graphic Design: A New History, S. J. (2019). Graphic design: A new history (3rd ed.). Yale University Press.
The New Typography, J. (2006). The new typography. University of California Press. (Original work published 1928)
Thinking with Type, E. (2010). Thinking with type: A critical guide for designers, writers, editors, & students. Princeton Architectural Press.
Bauhaus arşivleri ve ilgili dijital kaynaklar.
MoMA koleksiyonları ve çevrimiçi arşivler.
|
| |
Programme Learning Outcomes |
Contribution Level (from 1 to 5) |
| 1) |
Explain the fundamental concepts, historical development, and theoretical framework of graphic design. |
5 |
| 2) |
Define typography, color theory, and composition principles in visual communication design. |
5 |
| 3) |
Evaluate the social, cultural, and ethical aspects of graphic design to develop an interdisciplinary perspective. |
5 |
| 4) |
Develop original and innovative design solutions using creative problem-solving methods. |
5 |
| 5) |
Apply visual hierarchy, perception psychology, and user experience (UX) principles to design for international markets. |
4 |
| 6) |
Effectively use digital tools and design software to produce professional graphic design work. |
1 |
| 7) |
Take responsibility in international graphic design projects individually or within a team to develop creative solutions. |
4 |
| 8) |
Manage graphic design projects and plan processes while applying a professional work discipline. |
1 |
| 9) |
Continuously improve by following global innovations, technologies, and methodologies in graphic design. |
5 |
| 10) |
Adopt intercultural design principles to create visual solutions for global audiences. |
4 |
| 11) |
Develop design solutions that are culturally sensitive, ethically appropriate, and sustainable. |
5 |
| 12) |
Work independently or participate in teamwork within graphic design processes. |
1 |
| WORKLOAD OF TEACHING & LEARNING ACTIVITIES |
| Teaching & Learning Activities |
# of Activities per semester |
Duration (hour) |
Total Workload |
| Course |
14 |
42 |
588 |
| Laboratory |
0 |
0 |
0 |
| Application |
0 |
0 |
0 |
| Special Course Internship (Work Placement) |
0 |
0 |
0 |
| Field Work |
0 |
0 |
0 |
| Study Hours Out of Class |
0 |
0 |
0 |
| Presentations / Seminar |
0 |
0 |
0 |
| Project |
0 |
0 |
0 |
| Homework Assignments |
4 |
12 |
48 |
| Total Workload of Teaching & Learning Activities |
- |
- |
636 |
| WORKLOAD OF ASSESMENT & EVALUATION ACTIVITIES |
| Assesment & Evaluation Activities |
# of Activities per semester |
Duration (hour) |
Total Workload |
| Quizzes |
0 |
0 |
0 |
| Midterms |
1 |
1 |
1 |
| Semester Final Exam |
1 |
1 |
1 |
| Total Workload of Assesment & Evaluation Activities |
- |
- |
2 |
| TOTAL WORKLOAD (Teaching & Learning + Assesment & Evaluation Activities) |
638 |
| ECTS CREDITS OF THE COURSE (Total Workload/25.5 h) |
6 |